A Brief Run-Through Of Free TV Shows

A Brief Run-Through Of Free TV Shows

For one, the business of making public watch free TV shows had transformed into a multi-billion dollar industry (more than billion as of last count) in the U.S. lonely. And consciously or if not, television had become a touchstone of well loved culture it had helped spawn through entertainment, education, news and current events, politics, sports and many other facets of present life.

Beginnings

Since the first public demonstration in August 25, 1934 of the all-electronic TV system in Philadelphia by Philo Taylor Farnsworth, it took only a small over a decade or so (the 50s) for television to grasp the extent of its economics. Most of their revenues would come from the advertisers.

By late 1950s, live TV was out and most of the series were filmed. One huge benefit of filmed TV shows would be the possibility of a repeat or syndication for re-airing at some future time (which means more income). During this time, too, westerns and detective dramas were in vogue and were top-raters.

In the 60s, newscasts were lengthened from 15 to 30 minutes. Although ratings for newscasts did not copy those of the other free TV shows (notably the entertainment sector), they earned enough viewers to attract advertisers and earn their keep.

It was also at around this time that formats for the news were changed. There came other flashier features – show business news, sports, and spectacular news like fires and crimes – incorporated into the mainstream body of news reports.

By the 80s, cable stations like CNN, ESPN, MTV and many others entered into the mainstream TV industry. Commercial TV boomed. By the 90s, very nearly 70% of homes had cable. But, viewer preferences were remarkably narrow. Nickelodeon shows and some sports programs led the ratings.

With the entry of cable, the networks changed their strategies in presenting the news, as we have noted. But the larger change would be in the free shows and other entertainment programs. These shows would re-invent themselves and become more daring and audacious.

The Fox Network, established in 1986 and owned by Australian Rupert Murdoch, was the most enthusiastic of all the networks in welcoming these new loose trends in programming. Some of their comedies, action and drama series, and some reality shows crossed the boundaries of excellent taste. This was also in time with the repose of federal regulations in broadcasting.

The other networks did their own innovations along with the current trends and tastes pervading among the viewers, especially those who patronize the free shows. The ancient standards are still making headlines and money (series on hospitals, control procedurals, family dramas).

But, the ancient action and adventure segments have branched out into areas that were not heard of before, or too fantastic to imagine. At the moment, reality shows and other hybrid shows (American Idol, Dancing With The Stars) lord it over the current ratings.

The 21st century

Today, every country in the world has at least one television channel. This had enabled them to share their own culture with the rest of the globe’s citizens, and vice-versa. One example was the huge celebration in every continent in connection with the commencement of the new millennium. It fulfilled an ancient goal of bringing the world together into one global village, in real time.

With the expected convergence of the computer and television in the near future, there may be more changes in the viewing habits of public as well as the changes in the sources of news and in rank and how they are to be disseminated.

For followers and viewers of free TV shows, what could be more exciting?

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Indian T.v Serials

Indian T.v Serials

The prestigious history of Indian television has envisioned the development of audio visual media in the nation. During the 1980s Indian small screen programming started and at that time there was only one national channel Doordarshan, which was regime owned. The Ramayana and Mahabharata were the first major television series produced. This series reached the zenith of the world confirmation viewership numbers for a single program. By the late 1980s more and more public started to buy television sets.

Television in India has been in existence for about four decades. For the first 17 years, it spread haltingly and transmission was usually in black and white. The thinkers and policy makers of the country, which had just been liberated from centuries of colonial rule, though television to be a luxurious element that Indians could do without. In 1955 a Cabinet choice was taken disallowing any foreign investments in photograph media which has since been followed religiously for nearly 45 years. Sales of TV sets, as reflected by licences issued to buyers were just 676,615 until 1977.

The rapid expansion of television hardware in India increased the demand for developing more program software to fill the broadcast hours. Program production, previously a monopoly of Doordarshan, the regime-run national television system in India, was then opened to the group of aspirant artists, producers, directors, and technicians. Most of the talented individuals got connected with the television industry. Highly well loved television soap operas started with Hum Log in 1984-85, evoked a programming revolution at Doordarshan. The main example learned from this experience was that an indigenous television program could attract and erect a large loyal audience over the duration of the series, generating huge profits. The advertising carried by Hum Log promoted a new consumer product in India, Maggi 2-Small Noodles. The public rapidly accepted this new consumer product, suggesting the power of television commercials.

Hum Log, one of the most well loved Hindi serials, was quickly followed by Buniyaad, a historical soap opera about the partition of British India into India and Pakistan in 1947. In 1987, Ramayana, a Hindu religious epic, attracted smash ratings, to be then eclipsed by the phenomenally thriving Mahabharata in 1988-89. In the 1990s, serials were in large numbers on Doordarshan. Huge hits included historical serials such as The Sword of Tipu Sultan and The Fantastic Maratha, religious serials such as Jai Hanuman, Shri Krishna, and Om Namah Shivay, fantasy serials like Shaktimaan, and family serials like Shanti, Hum Raahi, and Udaan. These well loved television programs attracted large audiences, and generated vast advertising earnings for the Indian regime through Doordarshan. Advertisers quickly understood the advantages of advertising their products on a standard that reached a huge national audience.

Television has come to the forefront only in the past 21 years and more so in the past 13. There were initially two ignition points in the history of Indian television. The first in the eighties when colour TV was introduced by state-owned broadcaster Doordarshan (DD) timed with the 1982 Asian Games which India hosted. It then proceeded to install transmitters nationwide rapidly for terrestrial broadcasting. In this period no private enterprise was allowed to set up TV stations or to spread TV signals. The second turning point in the history of Indian television came in the early nineties with the broadcast of satellite TV by foreign programmers like CNN followed by Star TV and a small later by domestic channels such as Zee TV and Sun TV into Indian homes. Before this, Indian viewers had to make do with DD`s regulated fare which was non-commercial in nature and directed towards only education and socio-economic development. Entertainment programmes were few and far between. And when the solitary few soaps like Hum Log (1984), and fabulous dramas like Ramayana (1987-88) and Mahabharata (1988-89) were televised, millions of viewers stayed glued to their sets. When, urban Indians learnt that it was possible to watch the international affairs on television, they gradually bought dishes for their homes. Others turned entrepreneurs and started offering the signal to their neighbours by connecting cable over treetops and verandahs. From the large metros satellite TV delivered through cable went into less vital towns, spurring the hold of TV sets and even the upgradation from black and white to colour televisions. Doordarshan responded to this satellite TV invasion by launching an entertainment and commercially driven channel and introduced entertainment programming on its terrestrial network. This again fuelled the hold of sets in the remote regions where cable TV was not available.

In the mid-1960s, Dr Vikram Sarabhai, a farsighted technocrat and initiator of India`s interval program, started arguing in policy-making circles that a nationwide satellite television system could play a major role in promoting economic and social development. At Sarabhai`s initiative, a national satellite communication group (NASCOM) was established in 1968. Based on its recommendations, the Indian regime permitted the concept of “hybrid” television broadcasting system consisting of communication satellites as well as impose a curfew-based microwave relay transmitters. Sarabhai envisioned that the satellite component would allow India to leap multiple steps into the state-of-the-art communication technology, speed up the development process, and take benefit of the lack of infrastructure (until 1972, there was only one television transmitter in India, located in Delhi).

Eventually, satellite television was introduced in India after surveying the constant popularity of Indian television. Satellite broadcasting fits naturally with India`s immense size, and with the skill of satellites to overcome natural barriers to television signals like mountains. A satellite in this geo-stationary orbit is believed to be a perfect platform for television broadcasting. The footprint of the television signal would cover very nearly one-third of the earth`s surface. Essentially, satellite communication removes the cost of distance in transmitting television (or telephone) messages. The initial success of the channels had a snowball effect. More foreign programmers and Indian entrepreneurs flagged off their own versions. From two channels before 1991, Indian viewers were exposed to more than 50 channels by 1996. Software producers came up to cater to the programming boom very nearly overnight. Some talent came from the film industry, some evolved advertising and some also from the field of journalism.

More and more public set up television cable networks until there was a time in 1995-96 when an estimated 60,000 cable operators existed in the country. Some of them had subscriber bases as low as 50 to as high as in the thousands. Most of the networks could relay just 6 to 14 channels as privileged channel relaying capacity demanded gray investments, which cable operators were unable to make. The multi-system operators (MSOs) started buying up local networks or franchising cable TV feeds to the less vital operators for a typical fee. This phenomenon led to resistance from less vital cable operators who joined forces and started functioning as MSOs. The net outcome was that the digit of cable operators in the country fell to 30,000. The rash of players who rushed to set up satellite channels learned that advertising revenue was not large enough to support them. Gradually, at least half a dozen either folded up or aborted the high-flying plans they had drawn up, and started operating in a restricted manner. Some of them also converted their channels into basic subscription services charging cable operators a specific carriage fee.

The first private network to capitalize on the opportunity provided by direct broadcast satellite (DBS) was STAR-TV, headquartered in Hong Kong. “STAR” stands for Satellite Television for the Asian Region. The network, formerly owned by the Hutch Vision Group of Hong Kong, was founded in 1991, and then bought for 1 million by Rupert Murdoch`s gigantic News Corporation in 1995. While STAR-TV was the catalyst for direct satellite broadcasting into India, its path was rapidly followed by Indian-owned private networks like Zee-TV, and by foreign-owned broadcasters like Sony. By the late 1990s, more than 40 private television channels were available to Indian audiences. It was estimated that by 2000 India would have the world`s largest cable and satellite markets with cable connectivity to 35 million homes, comprising some 150 million cable viewers.

The regime started taxing cable operators in a proposal to generate revenue. The rates varied in the 26 states that go to form India and ranged from 35 per cent upwards. The authorities went in to regulate the business and the Cable TV Act, which was passed in 1995. The Supreme Court passed a discrimination that the air waves are not the material goods of the Indian regime and any Indian citizen wanting to use them should be permitted to do so. The regime made efforts to get some regulation in place by setting up committees to propose what the broadcasting law of India should be, as the sector was still being governed by laws which were passed in 19th century India. A broadcasting bill was drawn up in 1997 and that was introduced in parliament. But it was not passed into an Act. State-owned telecaster Doordarshan and radiocaster All India Radio were brought under a combined company called the Prasar Bharati under an act that had been gathering dust for seven years, the Prasar Bharati Act, 1990. The Act served to give self-rule to the broadcasters as their management was left to a supervisory board consisting of retired professionals and bureaucrats.

A committee headed by a senior Congress (I) politician Sharad Pawar and few other politicians and industrialist was set up to analyze the contents of the Broadcasting Bill. It held discussions with industry, politicians, and consumers and a crash was even drawn up. But the United Front regime fell and since then the crash and the Bill was not brought under consideration. But before that it issued a ban on the sale of Ku-band dishes and on digital direct-to-home Ku-band broadcasting, which the Rupert Murdoch-owned News Television was threatening to start in India. In 1999, a BJP-led regime has been threatening to once again allow DTH Ku-band broadcasting and it has been talking of dismantling the Prasar Bharati and once again reverting Doordarshan`s and All India Radio`s control back in the regime`s hands.

The year 2000 will be remembered for a single show in the history of Indian television. The Indian television industry went on to switch the fortunes of some promising media companies. Kaun Banega Crorepati, the Amitabh Bachchan hosted game show based on Who Wants to be a Millionaire, not only became the most-watched programme on private satellite television but also catapulted Star Plus into an incredible well loved spot. On the foundation of the success of Star Plus, Rupert Murdoch built his media empire. If Subhash Chandra had tasted success all through these years since Zee launched, 2000 was a turning point in Zee TV`s history as well.

In recent times, Indian television is said to be in close amalgamation with the private channels that offers all kinds of entertainment and learning shows in a perfect dazzling presentation. The Indian television or the small screen has achieved strata of indispensability. Life without the audio visual media is imagined to be a be idle one. The glamour packed soaps and serials, reality shows, talk shows and other entertainment packages encompass a major section of Indian lifestyle.

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My followers gadget for google is not working or showing up, what do I do? Removing Bullets in Sidebar

My followers doohickey for google is not working or showing up, what do I do? Removing Bullets in Sidebar

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Toyota Research Achieves Brain Control of Wheelchair

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Bugs & Fixes: Apple TV Deletes Files

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WLAN Market Slammed, but 802.11n Gains

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Information about Public Television (2)

In rank about Public Television (2)

In the 1984-85 seasons, the monthly average-small prime-time ratings in pay television households averaged 2.2; in the 1988-89 season, the average monthly rating had plummeted to 1.6. Overall monthly prime-time ratings dropped 19 percent—from 2.7 to 2.2—in the past fifteen years.

PBS has responded by exploring the introduction of a new cable channel. Under the proposal, PBS and its New York Tag Heuer Replica and Boston stations, WNET-TV and WGBH-TV, would run a noncommercial cable channel in conjunction with Discovery, an existing cable channel. The new channel would operate with Discovery during the day. Discovery lonely would program for prime time and night. Neil Mahrer, PBS executive vice president, clarified that the advantages include subscriber fees for PBS.

From PBS affiliates’ standpoint, the problem, of course, is competition. PBS sup-plies one-third of each of its affiliates’ broadcast slate. The rest is programmed locally or obtained somewhere else. Mahrer acknowledged the concern but argued that “the cable channel’s content would be designed to augment that of PBS’s broadcast affiliates and wouldn’t compete directly for either viewers or possible funding sources.” Even if the two did experience some crossover, “at least they wouldn’t surrender any impose a curfew to other alternatives. ‘If we don’t take one or two or three of those cable channels, some-one else will, and we’d be better off competing with ourselves rather than having others compete with us.”

Nielsen ratings continually confirm the traditional profile of public broadcasting. Homes whose household head graduated from college watch more public television than homes headed by those with lower learning levels. Approximately one-third of the public television audience reported being attracted to public television by children’s programming. In 1998, the four most watched shows by preschoolers (ages 2-5) were Arthur, Barney and Friends, Teletubbies, and Sesame Street, all PBS programs.59 Homes with older children, but, watch less public television than do homes with younger children. After a decade in which the digit of young children viewing public television declined, ratings for children 2 to 5 years of age increased from 3.2 to 4.0 from 1996 to 1998, and the ratings of kids aged 6 to 11 increased from 0.7 to 1.2. In the 1997—98 season, over two-thirds of viewers of PBS news shows were 50 or older. The ratings of PBS news shows dropped 20 percent in the last year.

The educated audience is attracted to high-quality programming, illustrated by the high viewership for the documentary series Omega Replica The Civil War, aired in 1991. In the last half of the 1980s, PBS-produced programming took more news and documentary Emmys than its competitors. Emmy award winners included “National Geographic Specials,” Nova, Frontline, and The American Experience.

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World Tv On Pc – Satellite Channels On Your Computer!

World Tv On Pc – Satellite Channels On Your Computer!

World TV On PC

Online TV for PC or Satellite Tv For Pc is now part of America’s culture; many also refer to it as TV for PC simply because you will need a PC and internet connection to watch television. Statistics shows that an average American spends very nearly a quarter of his time in an entire year surveillance television, and the larger percent of Americans population is now switching over to satellite TV for PC simply because it is currently the simplest and the cheapest, yet the most convenient with over 12000 TV channels to choose from at crystal clear qualities. click here to download.

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Unlimited Worldwide Access. No Hardware to Install. No Monthly Fees.
Newscasts, Sporting Events, Feature-length Movies, Full TV Episodes, Documentaries, Music Videos, Movies that are playing in the Theaters and more!!!

* Over 2,318 channels
* No contracts or subscriptions
* News, sports, weather, movies, & more!

Digital TV for PC 2 proprietary software technology plugs you directly into hundreds of worldwide LIVE digital television channels right over the Internet. Delight in more channels than cable and satellite TV combined for a one-time fee less than one month of either of those services.Turn your PC into a complete Digital Entertainment Center. Only an Internet connection is required. No hardware to install. No hacking or signal stealing. 100% officially authorized. And the best part is that once you have bought the software, you have not anything else to pay. Ever! You will be able to watch movies that are being shown in the cinemas,live sports,news and much more.You will be able view live tv from over 230 Countries.

The technology behind Digital TV for PC 2 is called streaming-media. Transmissions from various television stations around the world are encoded into a format that can be transmitted across the Internet. Digital TV for PC 2 detects and converts this data back into pictures and sounds that your PC can know.
Once you have downloaded Digital TV for PC 2 you have thousands of programs to choose from. In addendum, to the channels listed above, you also get the subsequent:

* Movies Channels Over 70 channels of drama, action, comedy, romance and more. Even foreign and learning films and documentaries.

* Music Channels Get the hottest music videos from the world’s most well loved artists. Check out MTV Uber, MTV Overdrive, Deejay TV, Ministry of Sound, Club TV. More than two dozens music stations from around the world.

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* Sports Channels More than 30 channels showing baseball, soccer, football, basketball, tennis, auto racing and more. Get premium American and European sports channels like ESPN, Huge Pond Sports, Fox Networks, Star Sports and more.

“.you guys really place together a nice small TV app. Better than I thought.
I’m pleasantly surprised really.” – Greg W. – Bakersfield, CA

* Premium Channels Nearly 100 channels of the most well loved programming on the worldwide airwaves available with no pay-per view fees, or hidden charges. A small sample of these channels include Comedy Central, ESPN, Fox, ABC News, Discovery Channel, MTV Overdrive, EuroTV, Vintage Cartoons, Food Network, National Geographic, Rapture TV, Adult Swim, Broadway Network, Game Network, and more.

* National and Local News, Weather, and Politics Dozens and dozens of channels with the latest news, weather and politics from all over the country..and around the world. Get channels like ABC, Fox, NBC, and various PBS affiliates. Uncensored 24 hours a day access. Get your locals news even when you’re on the road!

* Children Channels Get special children programs from all over the world. From cartoons to family shows safe for everyone to delight in.

* Shopping Now you can shop all around the world from the comfort of your living room recliner.

 
Satellite TV for PC will be uninterrupted by the transfer. As a matter of fact Satellite TV for PC is expecting more TV stations once the transfer takes place in February 2009. No need to wait. Register for Online TV, Satellite TV for PC, TV for PC NOW.

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Professional video camera – Auto Transponder key Manufacturer – China 4d Duplicable Transponder Chip

Professional video camera – Auto Transponder key Manufacturer – China 4d Duplicable Transponder Chip

History

Early studio television camera — Gray box on right is the lens, gray box on top is the Viewfinder, sides are lowered to show internal electronics.

Professional television camera history has two main lines: the gradual shrinking of the camera as it became more versatile and self contained; and a progression of sensors from large insensitive tubes to less vital, much more sensitive tubes and finally to very small, very sensitive solid state chip imagers. Cameras that contained their own recording mechanisms did not appear until the early 1980s.

At the beginning, these cameras were very large devices, very nearly always in two sections. The camera section held the lens and tube pre-amps and other necessary electronics, and was connected with a large diameter multi-core cable to the rest of the camera electronics, usually mounted in a rack. The rack would be in a separate room in the studio, or in a remote truck. The camera head lonely could not generate a video picture signal on its own. The video signal was output from the rack unit to the rest of the studio for switching and transmission. By the fifties, electronic neatness had progressed to the point where some monochrome cameras could operate stand lonely and even be handheld. But the studio configuration remained, with the large cable bundle transmitting the signals back to the CCU (Camera Control Unit). The CCU in turn was used to align and operate the camera’s functions, such as exposure, system timing, and video and black levels.

The first color cameras (1950s in the US, early 1960′s in Europe), notably the RCA TK-40/41 series, were much more complex with their three (and in some models even four) pickup tubes, and the size and weight drastically increased. Handheld color cameras did not come into general use until the early 1970s, and the first ones were two pieces, a camera head shoulder unit that held the lens and tube section, and a rucksack unit. The Ikegami HL-33 was the first of this type, but was followed a up by one cut cameras. These one cut cameras, (The HL-77 from Ikegami and the TK76 from RCA) made possible, (in combination with portable 3/4″ U-matic VCRs) the introduction of Electronic News Gathering (ENG), which very rapidly replaced the 16mm film cameras that had been the dominant method for capturing news events. This established the standard operation in the field of a two person news crew, one operating the camera, and one carrying the shoulder strapped U-matic recorder and a boom microphone. The control layout (often called “form factor”) for the camera’s most vital functions was also established with these cameras, and continues to define an ENG camera to this day.

In the early 80s, the first cameras with an on board recorder were brought to the market. The more thriving of these used the Betacam recording system. At first these cameras used pickup tubes, and the recorders were of the removable type. Models with solid state CCD imagers came on the scene in the mid-80s. These brought multiple benefits. They were much more stable and less prone to drift than tube cameras, and didn’t require a warm up or calibration time at the beginning of the day. They also were not prone to image burn in or lag caused by very bright light sources in the frame. The early models did not have the resolution or color quality of their tube counterparts, but successive models quickly pulled yet to be of tube technology. Eventually, cameras with the recorder permanently mated to the camera head became the norm for ENG.

Studio camera technology did not stand still during this period. The camera electronics shrunk, and CCD imagers replaced the pickup tubes. The thick multi-core cables connecting the camera head to the CCU were replaced in the late seventies with triax connections, a slender video cable that carried multiple video signals, intercom audio, and control circuits, and could be run for a mile or more. As the camera innards shrunk, the electronics no longer dictated the size of the enclosure. But the box shape remained, as it was necessary to hold the large studio lenses, teleprompters, studio viewfinder, and other paraphernalia needed for studio and sports production. Electronic Field Production cameras were often mounted in studio configurations surrounded by a mounting cage. This cage supported the additional studio accessories.

In the late 90s, as HDTV broadcasting commenced, HDTV cameras apposite for news and general purpose work were introduced. Though they delivered much better image quality, their overall operation was identical to their standard definition predecessors. New methods of recording for ENG cameras were introduced to supplant tape. Ikegami and Avid introduced EditCam in 1996, based on interchangeable hard drives. Panasonic introduced P2 cameras. These recorded a DVCPro signal on interchangeable flash card media. Several other data based recording systems were introduced, notably XDCam from Sony, and as of 2009, it remains to be seen what will become the leading method of camera media for professional use in the 2010s.

Chronology

1926 to 1933 “cameras” were a type of flying spot scanner using mechanical disk.

1936 saw the arrival of RCA’s iconoscope camera.

1946 RCA’s TK-10 studio camera used a 3″ IO – Image Orthicon Tube with a 4 lens steeple. The RCA TK-30 (1946) was usually used as a Field Camera.

The 1948 Dumont Marconi MK IV was an Image Orthicon Camera. Marconi’s first camera was shown in 1938. EMI cameras from the UK, were used in the US in the early 1960s, like the EMI 203/4. Later in the 60s the EMI 2000 an EMI 2001.

In 1950 the arrival of the Vidicon camera tube made less vital cameras possible. 1952 saw the first Walkie-Lookie “portable cameras”. Image Orthicon tubes were still used till the arrival of the Plumbicon.

The RCA TK-40 is considered to be the first color television camera for broadcasts in 1953. RCA continued its lead in the high-end camera market till the (1978) TK-47, last of the high-end tube cameras from RCA.

Ikegami introduced the first truly portable hand-held TV camera in 1962.

Philips’ line of Norelco cameras were also very well loved with models such as PC-60 (1965), PC-70 (1967) and PCP-90 (1968 Handheld). Philips/BTS-Broadcast Television Systems Inc. later came out with an LDK line of camera, like its last high end tube camera the LDK 6 (1982). Philips invented the Plumbicon pick up Video camera tube in 1965, that gave tube cameras a cleaner picture. BTS introduced its first HandHeld Frame transfer CCD- Charge-coupled device-CCD camera the LDK90 in 1987.

Bosch Fernseh marketed a line of high end cameras (KCU, KCN, KCP, KCK) in the US ending with the tube camera KCK-40 (1978). Image Transform (in Universal City) used specially modified 24 frame KCK-40 for their “Image Vision” system. This had a 10 MHz bandwidth twice NTSC resolution. This was a custom pre HDTV video System. At its peak this system was used to make “Monty Python Live at the Hollywood Bowl” in 1982. This was the first major high-definition analog wideband videotape-to-film post production using a film recorder for film out.

Technology

Most professional cameras utilize an optical prism block directly behind the lens. This prism block (a trichroic assembly comprising two dichroic prisms) filters the image into the three primary colors, red, green, and blue, directing each color into a separate charge-coupled device (CCD) or Active pixel sensor (CMOS image sensor) mounted to the each face of the prism. Some high-end consumer cameras also do this, producing a privileged-resolution image, with better color fidelity than is normally possible with just a single video pickup.

In both single sensor and triple sensor designs, the weak signal made by the sensors is enlarged before being encoded into analog signals for use by the viewfinder and monitor outputs, and also encoded into digital signals for transmission and recording. The analog outputs are normally in the form of either a composite video signal, which combines the color and luminance in rank to a single output; or an R-Y B-Y Y component video output through three separate connectors.

Studio cameras

Most studio cameras stand on the floor, usually with pneumatic or hydraulic mechanisms called pedestals to adjust the height, and are usually on wheels. Any video camera when used along with other video cameras in a studio complex is controlled by a device known as CCU (camera control unit), to which they are connected via an optical, Triax or Multicore cable. The camera control unit along with other equipments is installed in the production control room often known as Gallery of the television studio. When used outside a studio, they are often on tracks. Initial models used analog technology, but digital models are becoming more ordinary. Some studio cameras are light and small enough to be taken off the pedestal and used on a cameraman’s shoulder, but they still have no recorder of their own and are cable-bound. Cameras can be mounted on a tripod, a dolly or a crane.

ENG cameras

Sony camera head with Betacam SP dock recorder.

Though by definition, ENG (Electronic News Gathering) video cameras were formerly designed for use by news camera operators, these have become the dominant style of professional video camera for most uses, from shooting dramas to documentaries, from music videos to corporate training. While they have some similarities to the less vital consumer camcorder, the subsequent differences should be noted:

ENG cameras are larger and heavier, and usually supported by a shoulder stock on the cameraman’s shoulder, compelling the weight off of the hand, which is freed to operate the lens zoom control. The weight of the cameras also helps dampen small movements.

3 CCDs are used instead of one, one for each primary color

They have interchangeable lenses.

All settings, white balance, focus, and iris can be manually adjusted, and automatics can be completely disabled.

The lens is focused manually and directly, without intermediate servo controls. But the lens zoom and focus can be operated with remote controls in a studio configuration.

Professional connectors – BNC for video and XLR for audio. There are at least two XLR audio inputs.

A complete timecode section is available, allowing time code presets; and multiple cameras can be timecode-synchronized with a cable.

“Bars and tone” are available in-camera (the color bars are SMPTE (The upper classes of Shift Picture and Television Engineers) Bars, a reference signal that simplifies calibration of monitors and setting levels when duplicating and transmitting the picture. )

Recording is to a professional standard like some variant of Betacam or DVCPRO or Direct to disk recording or flash memory. If as in the latter two, it’s a data recording, much privileged data rates (or less compression) are used than in consumer devices.

The camera is mounted on tripods and other supports with a quick release plate.

A rotating behind-the-lens filter wheel, for selecting an 85A and neutral density filters.

Controls that need quick access are on hard physical switches, not in menu selections.

Gain Select, White/Black balance, color bar select, and confirmation start controls are all in the same general place on the camera, irrespective of the camera manufacturer.

Audio is adjusted manually, with easily accessed physical knobs.

EFP Camera machinist at a baseball game.

EFP Cameras

Electronic Field Production cameras are similar to studio cameras in that they are used primarily in multiple camera switched configurations, but outside the studio environment, for concerts, sports and live news coverage of special events. These versatile cameras can be carried on the shoulder, or mounted on camera pedestals and cranes, with the large, very long focal length zoom lenses made for studio camera mounting. These cameras have no recording skill on their own, and transmit their signals back to the broadcast truck through a triax or multicore cable.

Dock cameras

Some manufacturers erect camera heads, which only contain the optical block, the CCD sensors and the video encoder, and can be used with a studio adapter for connection to a CCU in EFP mode, or various dock recorders for direct recording in the preferred format, making them very versatile. But, this versatility leads to greater size and weight. They are favored for EFP and low-budget studio use, because they tend to be less vital, lighter, and less pricey than most studio cameras.

A remote-controlled camera mounted on a minuscule cable car for mobility.

Remote cameras

Remote cameras are typically very small camera heads designed to be operated by remote control. Despite their small size, they are often capable of routine close to that of the larger ENG and EFP types.

“Lipstick” cameras are so called because the lens and sensor block combined are similar in size and advent to a lipstick container. These are either hard mounted in a small location, such as a race car, or on the end of a boom pole. The sensor block and lens are separated from the rest of the camera electronics by a long thin multi conductor cable. The camera settings are manipulated from this box, while the lens settings are normally set when the camera is mounted in place.

Block cameras are so called because the camera head is a small block, often less vital than the lens itself. Some block cameras are completely self contained, while others only contain the sensor block and its pre-amps, thus requiring connection to a separate camera control unit in order to operate. All the functions of the camera can be controlled from a distance, and often there is a facility for controlling the lens focus and zoom as well. These cameras are mounted on pan and tilt heads, and may be positioned in a stationary spot, such as atop a pole or tower, in a corner of a broadcast booth, or behind a basketball hoop. They can also be positioned on automatic dollies, at the end of camera booms and cranes, or “flown” in a cable supported harness, as shown in the illustration.

See also

Akai

Ampex

John Logie Baird

Broadcast Television Systems Inc. LDK – line of cameras           

Digital cinematography

Digital cinematography cameras

Allen B. DuMont

EMI 2001

Fernseh KC- line of cameras

Film Chain

Grass Valley (company) LDK – line of cameras

Hitachi SK- line of cameras

Ikegami HL -line of cameras

Marconi Company EMI – line of cameras

Norelco PC line of cameras

NTSC

PAL

Philips KD – line of cameras

RCA TK- line of cameras

Sony

Video camera tube

References

Notes

^ link to MK IV

^ http://www.meldrum.co.uk/mhp/knackers/cameras.html

^ History of TV on Google Books

Bibliography

Zettl, H. 2006 “Television Production Handbook”, Thomson Wadsworth, ISBN 0-534-64727-8

External links

Wikimedia Commons has media related to: Video cameras

Sony professional cameras

Thomson: manufacturer of CCD based professional cameras, formally (Philips)

History of RCA cameras

Categories: Film and video technology | Cameras

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Bbc Iplayer

Bbc Iplayer

Development

The original iPlayer service was launched in October 2005, undergoing a five month long trial of five thousand broadband users until 28 February 2006. The iPlayer came under criticism for the delay in launch, rebranding and cost to BBC licence-fee payers, as no finished product had been released after four years of development. A new, improved iPlayer service then had another very limited user trial which started on 15 November 2006.

The iPlayer received the approval of the BBC Trust on 30 April 2007, and an open beta for Windows XP and Windows Server 2003 was launched at midnight on 27 July 2007, where it was announced that only a fixed digit of public would be able to sign up for the service, with a controlled increase in users over the summer.

The BBC has also been criticised for saying that the iPlayer would ‘launch’ on the 27 July 2007, when what was on offer was simply an extension of the beta to an open beta, admitting more users in a controlled manner. This was done reportedly to allow British ISPs and the BBC to gauge the effect of the iPlayer traffic on the Internet surrounded by the UK, although Channel 4 and ITV had both recently launched similar services.

The open beta incorporated a media player, an electronic programme handbook (EPG) and specially designed download client, and allowed the download of TV content by computers assigned to a United Kingdom-based IP take up, for use up to thirty days after broadcast. But, it was only available to users of Windows XP.

This was a controversial choice by the BBC, which led to a petition being posted on 10 Downing Street’s e-petition website. The petition reached 16,082 signatures on 20 August 2007. The response from the Regime was:

… the Trust noted the strong public demand for the service to be available on a variety of operating systems. The BBC Trust made it a condition of approval for the BBC’s on-demand services that the iPlayer is available to users of a range of operating systems, and has given a stanchness that it will ensure that the BBC meets this demand as soon as possible. They will measure the BBC’s progress on this every six months and publish the findings.

On 16 October 2007, the BBC announced a strategic link with Adobe, that would bring a limited, streaming-only version of the iPlayer to Mac and Linux users, as well as Windows users who cannot or do not wish to use the iPlayer download service. The streaming service was launched on 13 December 2007. Most programmes can only be viewed for up to seven days after broadcast, unlike the thirty days provided by the download service.

Since January 2008 it has supported Mozilla Firefox (only under the Microsoft Windows platform) for downloading content.

Before the iPlayer had even launched, it was announced that the BBC, alongside ITV and Channel 4, were intending to launch a new video on demand platform, provisionally named Kangaroo. It was intended that Kangaroo would complement the video on demand services that these channels were already offering, including the iPlayer, by making programmes available once their “catch up” period expires. The Kangaroo project was eventually abandoned after being blocked by the Competition Commission in early 2009.

Subsequent a deal between the BBC and cable television provider Virgin Media, the iPlayer service was made available through the provider’s on-demand service. The cable service launched on 30 April 2008, and keeps the look and feel of the BBC iPlayer program.

In response to a Freedom of In rank Act request, the BBC stated that the iPlayer cost 6 million to develop up to 8 April 2008.

On 23 August 2008, a new feature, Series Stacking, was announced. This feature started being rolled out on 13 September 2008, and allows viewers to watch previous programmes from selected series until the series has finished, with a limit of up to thirteen weeks after first broadcast. Not all programmes will form part of the stack, but. The BBC Trust has permitted 15% of content to be offered as part of the stacking service; soaps, news bulletins and review-based programmes will not be stacked, as well as programmes containing material of a officially authorized nature, such as Crimewatch.

On 19 December 2008, the BBC released, as part of the iPlayer Labs feature, iPlayer Desktop for Mac and Linux operating systems. This went the download service away from the previous P2P based distribution model and onto an HTTP download model.

On 20 April 2009, the BBC incorporated high-definition streams and downloads of some content on the iPlayer. There are plans to roll out the HD streams to devices such as the Virgin Set Top Box, but no date has yet been set. A BBC iPlayer application for the PlayStation 3 was announced by Sony in August 2009 and was released on the 1 September 2009 along with the Firmware 3.0 update to coincide with the launch of the slimline PlayStation 3 .

Another version of iPlayer was released in late 2009 as a ‘channel’ for the Nintendo Wii. This shows only low definition videos of BBC shows up to 7 days after their release on Television.

Computer platforms

‘iPlayer 1.0′

Download service

One of the key features of the original iPlayer download service was the use of peer-to-peer technology to enable the distribution of large video files (i.e. TV programmes) to scale effectively. Once downloaded, the content was only playable surrounded by the iPlayer itself or Windows Media Player 10 or 11, and subject to digital rights management. In December 2008 the BBC went to an Adobe AIR based client that downloaded content via HTTP rather than P2P. The new system replaced the Windows DRM system with Adobe’s own. (DRM) software will prevent it being directly copied to another standard (e.g. another computer or CD-ROM). Additionally, the DRM allows the BBC to choose how long the programmes remain watchable. Programmes will be available for download for seven days subsequent broadcast. Once a programme is downloaded a user will have thirty days to start surveillance it. Once a user starts to watch a programme, it will take up again to be available for the next seven days. These limitations do not apply to viewers using the online streaming service.

There was criticism levelled at the iPlayer’s use of KService from Kontiki, the peer-to-peer application which continues to use users’ bandwidth, even after the iPlayer has been shut down, though this could be controlled using options available surrounded by the software. Because of this, users may have been charged by their Internet service provider for exceeding their download limit or honest use policy. But, since the new client was introduced in December 2008 the Kontiki P2P system has not been used.

The client also offers an electronic programme handbook (EPG) with listings for both the previous seven and next seven days’ programmes; selecting a programme which has already been broadcast will start downloading it immediately, while those not yet shown will be downloaded as soon as they have been. It is currently not possible to schedule a series to be automatically downloaded when the next episode becomes available, but the BBC hopes to make this available in a later version.

Online streaming service

A screenshot of the ancient version of BBC iPlayer streaming page for television programme, Sound

The BBC’s streaming version of iPlayer, which makes use of Adobe Flash software, was launched on 13 December 2007. The BBC made use of the Christmas period to trumpet the new service with the tagline ‘Making the unmissable… unmissable’, and the service came out of beta on the 25 December 2007. Also, seasonal specials were followed routinely throughout the Christmas week with plugs for iPlayer. The streaming version of iPlayer offers replays of programmes broadcast on all BBC TV channels during the last seven days. Programmes are available from all national BBC television channels as well as BBC Wales programmes shown on S4C. Due to licensing agreements, international and some privately-produced shows or movies are not available on iPlayer.

‘iPlayer 2.0′

On the 25 June 2008, the BBC announced that they had been developing a new version of the iPlayer that is based on user feedback – it was then called “BBC iPlayer 2.0″. New features included combining the habitual television iPlayer with the radio iPlayer, schedules of programmes due to be on the iPlayer, automatic resumption of the last programme watched, an increase in the size of the screen by 25% to 640 pixels wide, RSS feeds of iPlayer data, and a “Yesterday’s TV” function. The beta ran alongside the existing site until 3 July 2008, when a new version replaced it.. Later versions have implemented an option of streaming videos in high quality.

A newer platform was launched at the end of 2008 which facilitated the use of the new BBC iPlayer Desktop (Replacement for Download Manager) as well as other “BBC iPlayer Labs” features such as adjustable video windows and user feedback options. As of March 2009, the BBC launched the new 1500kbps streaming version of the player which provides near TV quality pictures even when in full screen.

Television platforms

Virgin Media

On 30 April 2008 the iPlayer service was fed directly to Virgin Media’s 3.4m digital cable TV customers as part of the company’s video-on-demand service. Pressing the ‘red button’ while surveillance a BBC channel on TV will bring up the iPlayer service without the user having to access the web.

On 29 May 2008 Virgin Media successfully integrated iPlayer with the Virgin Media electronic programme handbook. The majority of BBC shows are now listed alongside other VOD content in Virgin’s Catch Up TV section as well as through the red button whilst viewing a BBC channel. There will be no charge for surveillance BBC shows through the iPlayer on Virgin Media.

As of 21 July 2008, iPlayer on Virgin Media had received 10.5 million views since its official launch on 1 June 2008. On 26 September 2008 it was revealed that one third of all iPlayer programme views were accessed through Virgin Media.

On 1 May 2009, the BBC and Virgin Media announced the launch of HD content via BBC iPlayer on Virgin Media’s TV platform, including Robin Hood, Friday Night with Jonathan Ross and Later… with Jools Holland.

FetchTV

On 23 July 2009 the first subscription-free digital terrestrial device to include iPlayer, went on sale in UK retailers. The FetchTV Smartbox connects to any broadband connection and gives access to the BBC iPlayer as well as being a Freeview+ PVR.

FetchTV made its own version of the iPlayer, believing it was adhering to BBC guidelines but support was declined by BBC Future Media and Technology. IP Vision made a formal complaint to the BBC in March 2009, the matter then passed to the BBC Executive Honest Trading Complaints Panel, which rejected the complaint, and IP Vision then appealed to the BBC Trust. On 22 December 2009 the BBC Trust rejected FetchTV’s request to release the product. The Trust Finance and Compliance Committee (FCC) found that the BBC had given reasonable arguments as to why IP Vision should not be allowed to go yet to be with its self-erect product. New guidelines were introduced in October 2009 formalising a ban on third parties building their own iPlayer products.

Games consoles

BBC iPlayer as showed by the Nintendo Wii

During March 2008 an unofficial Python script was released to allow original Xbox’s running XBMC to access the BBC iPlayer.

On 9 April 2008 the BBC iPlayer was made available to stream video content on the Wii video game console via the Internet Channel. This was enabled by a recoding of the iPlayer to use Flash 7 rather than Flash 9. But, the Autumn 2009 update to the Wii’s Internet Channel resulted in the iPlayer no longer working on updated consoles. A BBC iPlayer in the form of a dedicated Wii channel was launched on the 18th November 2009. The BBC iPlayer Channel is free to download from the Wii Shop Channel; the service is only available to UK residents.

After the Wii content launch, iPlayer was not officially accessible at the standard iPlayer website through the PlayStation 3 browser. An unofficial hack was made a week after the Wii content launch, which combined Javascript, CSS and user-agent masking to mimic the Wii’s Internet Channel browser, in turn allowing PlayStation 3 owners to access the iPlayer by visiting the unofficial website through its browser. Whilst the BBC were “impressed”, they remarked that it was not “the best possible iPlayer proposition for that console”, and that, as the PS3 is on their roadmap, they would be “investigating the optimal video profile and browser proposition” for it in due course. From December 2008, the PlayStation 3 was officially supported directly through the iPlayer website.

An official iPlayer application widget was provided in the PS3 System Software 3.0 released on 1 September 2009. But, this is merely a URL link to the iPlayer site, despite this the PS3 now accounts for 6% of all iPlayer traffic, making it the third most well loved platform used to access the service behind personal computers (85%) and mobile phones/ipods (7%).

A deal between the BBC and Microsoft has still been unable to be reached because Microsoft strategy of charging for all content on its Xbox Live platform is incompatible with the BBC public service remit. Microsoft wants to ensure that only those paying for Xbox Live Gold accounts can access its additional content services. The BBC cannot charge the British public for access to the iPlayer as it is already included in the licence fee.

BT Vision

On 27 May 2008, BT started to charge BT Vision customers 3 per month for surveillance BBC Replay, a cut down version of iPlayer offering a more limited 30 hours of BBC programming per week. A spokesman for BT said that its customers had only previously been able to view BBC on-demand content because of “technical issues”. A BBC lecturer said: “In line with other TV platforms where BBC programmes are made available on demand, the BBC requires that all public service content should be accessible via the lowest cost subscription tier. In this case, it is BT Replay.”

From 1 April 2009, the Replay package was included in all of BT Vision’s Value Packs but remains available as a separate, 2.93 per month, package to non-subscribers.

Freesat

On 2 November 2009, it was announced that a beta release of BBC iPlayer for Freesat will be released on 7 December 2009 to a limited digit of Freesat viewers. On 21 December 2009, iPlayer was made available on a soft launch to Freesat viewers with Humax Foxsat HD receivers only, with an official release on 11 January 2010. It is the final beta version of iPlayer, available via the red button through inputting code 5483. On 20 January 2010, Sony released software update 1.630SA to enable BBC iPlayer on all of their Freesat integrated televisions. Other manufacturers will be added as and when they have carried out the initial testing with the BBCi Tech Team. All Freesat HD and Freesat+ set top boxes and Freesat integrated televisions will be able to receive it early 2010.

Freeview

On 4 May 2009, Ilse Howling the managing director of Freeview, announced that plans for the roll-out of the BBC iPlayer on Freeview are yet to be of schedule, with expectations that iPlayer-enabled Freeview boxes will be available later in 2009, this slipped to 2010.

Televisions

In December 2009, Cello Electronics released the Marks & Spencer branded iViewer TV. The television is internet enabled, allowing for the viewing of online content including the BBC iPlayer, which has its own physical button on the remote, although BBC iPlayer HD won be available until 2010.

On 11 January 2010, the BBC announced that BBC iPlayer will be built directly into TVs that will be usually available in the UK surrounded by months. Samsung Electronics became the first major manufacturer to officially announce that its televisions will be updated to include full access to the iPlayer through their Internet@TV service.

Mobile platforms

iPhone and iPod Touch

BBC iPlayer 2.0 beta as showed by the iPhone

On 7 March 2008, a beta version for Apple’s iPhone and iPod Touch was released. The version marked the first time the service became available on portable devices, allowing streaming over a wi-fi connection. The EDGE connectivity on the iPhone, but, is not supported, as it is too slow for streaming video.

An exploit was soon learned in this tailored content for the iPhone allowing users to bypass the DRM, download the files and play them on alternative devices. The BBC closed this hack on 13 March 2008. Through the month of June 2008 the ongoing battle followed a tit for tat progress. A Ruby exploit was followed by the BBC introducing XOR encryption on parts of the downloaded files if a real iPhone was not detected. The BBC introduced specially crafted web bugs, referrer checks and download chunk limits, such that only devices exhibiting this behaviour, i.e. a real iPhone handset, would be able to stream the video content. A cycle of updates and back engineering has followed such that all the various streams, both for the iphone and flash streaming service, are now able to be downloaded without the need for decryption or DRM circumvention. This has been made possible by various software which can effectively simulate a RTMP flash client or and an iPhone.

Nokia N96 buzz

On 18 September 2008, the BBC announced that a version will become available to the Nokia N96 mobile buzz as a download service to allow viewers to watch programmes even when they are out of reach of Wifi or 3G networks. The launch date was set of 1 October 2008.

Shortly after on 9 September 2008, even before the BBC Nokia N96 download service had gone live, a method for independently downloading and playing the iPlayer N96 3GP stream on other mobiles, Linux and MacOS was published.

Additional mobile devices

iPlayer was updated to include streaming radio and television as well as extended to a variety of handsets in early December 2008 including the Samsung Omnia, Sony Ericsson XPERIA X1, Sony Ericsson C905, Sony Ericsson W995 and the Nokia 5800 XpressMusic.

There is also an unofficial but functional application for the Google Android platform called BeebPlayer.

Reception and adoption

Before the launch in December 2007, the BBC had hoped the service would reach half a million users in its first six months. This turned out to be a yucky underestimate, as 3.5 million programmes were streamed or downloaded in the first three weeks lonely. The Guardian described these figures as “remarkably promising”.

In its first year, 2008, growth continued at an impressive rate. By April, the iPlayer accounted for around five percent of all UK traffic, and had approximately five million page views per day by June. In December, it was announced that more than 180 million programmes have been watched on iPlayer since its release. During the BAFTAs in May, the iPlayer won the “Interactive Innovation Service/Platform” Award, beating Channel 4′s ‘Huge Art Mob’ and the Bebo ‘Open Media Platform’. The streaming of programmes forms the lions share of the success, outnumbering downloads eight to one in January 2008, and 97:3 in October 2009.

In the month of October 2009, it was revealed that the site veteran 70 million requests and transferred seven petabytes of data. Television formed about two thirds of all requests, with radio making up the rest. Most TV was streamed from pre-recorded footage, whereas live streaming was preferred of radio. Eighty-five percent of requests were from computers, with much of the rest coming from iPods, iPhones and PS3s (from a total of 15 platforms). The most well loved TV programme of 2009 was Top Gear, and the most well loved radio was that reporting The Ashes.

The success of iPlayer may be down to a “long tail” effect, with users seeking out niche programmes; programmes broadcast on digital channels are doing remarkably well. But, this is expected to change with the introduction[citation needed] of booking programmes to download in advance, and automatic downloading of the next episode.

The demands of the iPlayer has met with some concern and criticism from UK ISPs due to the additional bandwidth the service will require. Several ISPs, notably Tiscali, have called on the BBC to partially fund network upgrades to cope with iPlayer traffic. The BBC responded by saying that the iPlayer was driving demand for broadband subscriptions.

DRM criticism

During the 2005 and 2006 iPlayer trials, the DRM system used was based on Microsoft’s Windows Media DRM, which led to concerns about cross-platform availability, as this technology is only available for Windows XP. But, some users have managed to get it working using compatibility options in Vista. The BBC emphasises that it “has a stanchness to platform neutrality and a remit to make its content as usually available as possible”, and that while the initial trial used a Microsoft-based technology, they are constantly looking for new technologies which would enable them to relax the restriction: Ashley Highfield, then BBC’s director of Future Media and Technology, clarified that “we have always started with the platform that reaches the most digit of public and then rolled it out from there”. They also point out that not all of the content delivered through the iPlayer will be subject to DRM – live streaming content, for instance, may not need the same amount of control, presumably implying that players for Mac OS X and Linux systems could be urban with a restricted range of content. But, a project has been started to enable the iPlayer to work with other platforms via the Wine project.

On 14 August 2007, the Free Software Foundation staged a demonstration outside BBC Television Centre. The FSF’s Peter T. Auburn criticised the BBC for what he claimed was a break from previous tradition: the insistence that, for the first time, BBC viewers would be forced to use proprietary technology to watch BBC programmes.

On 18 February 2010, the BBC updated iPlayer with a SWF verification layer that closes the door on open source implementations of Real Time Messaging Protocol streaming.

Overseas availability

The fact that BBC TV productions are paid for by the UK television licence fee, as well as rights agreements with third parties, mean that BBC iPlayer TV programmes are only officially accessible from IP addresses allocated to UK-based entities. But most radio programmes can be accessed universally, with the exception of programmes, such as certain sports broadcasts, which are affected by rights issues.

TV licence

A television licence is not required to view programmes on the iPlayer after they have been broadcast. The exception lies with the ‘Watch Live’ simulcast option, which is accessible through and played on the iPlayer site, where eight of the BBC’s channels are broadcast at virtually the same time as on television and hence a valid TV licence is required. Controversy lies in whether consumers should pay for a TV licence to watch live when the majority of programmes are available for free on the iPlayer hours after they have been broadcast.

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^ Richard Wray (2008-04-30). “BBC iPlayer Launched on Virgin Media”. The Guardian. http://www.guardian.co.uk/business/2008/apr/30/technology.virginmedia. Retrieved 2008-05-22. 

^ Anthony Rose (2008-06-25). “BBC Internet Blog”. BBC. http://www.bbc.co.uk/blogs/bbcinternet/2008/06/bbc_iplayer_20_sneak_preview.html. Retrieved 2008-06-25. 

^ Ian Morris (2008-12-09). “BBC iPlayer may be offered to its commercial rivals”. CNET UK. http://crave.cnet.co.uk/televisions/0,39029474,49300271,00.htm. 

^ “Television Craft Winners in 2008 – The BAFTA site”. British Academy of Film and Television Arts. 2008-05-12. http://www.bafta.org/awards/television-craft/television-craft-nominations-in-2008,363,BA.html. 

^ Ashley Highfield (2008-01-14). “iPlayer Launch: First Indications”. BBC. http://www.bbc.co.uk/blogs/bbcinternet/2008/01/iplayer_launch_first_indicatio.html. 

^ a b c d e http://www.guardian.co.uk/technology/blog/2009/nov/30/bbc-iplayer-statistics-graphic

^ http://www.guardian.co.uk/media/table/2009/dec/22/iplayer-bbc

^ http://www.guardian.co.uk/media/table/2009/dec/22/iplayer-digital-media

^ Jemima Kiss (2007-08-13). “ISPs dread iPlayer overload”. The Guardian. http://www.guardian.co.uk/media/2007/aug/13/digitalmedia.bbc. Retrieved 2008-04-27. 

^ “BBC and ISPs clash over iPlayer”. BBC News. 2008-04-09. http://news.bbc.co.uk/1/hi/technology/7336940.stm. Retrieved 2008-04-27. 

^ “Vista.. Long live XP”. BBC. http://www.bbc.co.uk/dna/mbiplayer/F7331805?thread=4237025. Retrieved 2008-02-04. 

^ “iMP using Microsoft … no chance of a linux version then ?”. BBC. http://www.bbc.co.uk/dna/mbimp/F2824809?thread=2535012. Retrieved 2008-02-04. 

^ “BBC iPlayer on Linux project Wiki”. BBC iPlayer Wiki. http://bbciplayerlinux.sourceforge.net/index.php/Main_Page. Retrieved 2008-02-04. 

^ “Free software campaigners stonewalled at BBC”. The Register. 2007-07-14. http://www.theregister.co.uk/2007/08/14/bbc_iplayer_protests/. 

^ “BBC iPlayer rubbish open source plugins, takes Flash-only path”. The Register. 2010-02-24. http://www.theregister.co.uk/2010/02/24/iplayer_xbmc_adobe_swf_verification/. 

^ “Can I use BBC iPlayer outside the UK?”. BBC iPlayer Help. http://iplayerhelp.external.bbc.co.uk/help/download_programmes/outsideuk. Retrieved 2008-11-12. 

^ “Do I need a TV licence to watch programmes on BBC iPlayer?”. BBC iPlayer Help. http://iplayerhelp.external.bbc.co.uk/help/about_iplayer/tvlicence. Retrieved 2009-11-11. 

External links

BBC portal

BBC iPlayer at BBC Online

Press release announcing extended trial of iMP at BBC Online

“Question Bruce” article on iMP at BBC Online

http://www.netnewspublisher.com/microsoft-builds-on-the-success-of-red-button-and-bbc-iplayer-for-next-gen-tv/

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Shale oil extraction

Shale oil extraction

History

Main article: History of the oil shale industry

A.C. Kirk’s retort, used in the mid-to-late 19th century, was one of the first vertical oil shale retorts.

A digit of shale oil extraction technologies have evolved over a period of time. In the 10th century, a method of extracting oil from “some kind of bituminous shale” was described by the Arabian physician Masawaih al-Mardini (Mesue the Younger). The first shale oil extraction patent was granted by the British Crown in 1694 to three public who had “found a way to extract and make fantastic quantities of pitch, tarr, and oyle out of a sort of marble”. Present industrial extraction of shale oil originated in France with the implementation of a process invented by Alexander Selligue in 1838 and about a decade later in Scotland by implementation of the process invented by James Young. During the late 19th century, shale oil extraction plants were built in Australia, Brazil, Canada, and the United States. The 1894 invention of the Pumpherston retort (also known as the Bryson retort) marked the separation of oil shale industry from the coal industry.

China (Manchuria), Estonia, New Zealand, South Africa, Spain, Sweden, and Switzerland started extracting shale oil in the early 20th century. But, crude oil discoveries in Texas during the 1920s and in the Middle East during mid-century brought most oil shale industries to a halt. In 1944, the United States restarted shale oil extraction as part of its Synthetic Liquid Fuels Program. These industries continued until oil prices fell sharply in the 1980s. The last oil shale retort in the United States, operated by Unocal Corporation, closed in 1991. The United States’ oil-shale development program was restarted in 2003, followed by a commercial let program in 2005 permitting the extraction of oil shale and oil sands on federal lands in accordance with the Energy Policy Act of 2005.

As of 2009[update], shale oil extraction is in operation in Estonia, Brazil, and China. While, Australia, U.S. and Canada have tested shale oil extraction techniques with demonstration projects and are plotting implementation on a commercial basis, Morocco and Jordan are also plotting to start shale oil production. Only four technologies are in commercial use; namely Kiviter, Galoter, Fushun, and Petrosix.

Process principle

Overview of shale oil extraction

Shale oil extraction process decomposes oil shale and converts kerogen in oil shale into shale oil petroleum-like synthetic crude oil. The process is conducted by pyrolysis, hydrogenation, or thermal dissolution. The most ordinary extraction method is pyrolysis (also known as retorting). In this process, oil shale is heated until its kerogen decomposes into vapors of a condensable shale oil and non-condensable combustible oil shale gas. Oil vapors and oil shale gas are collected and cooled, causing the shale oil to condense. In addendum, oil shale processing produces spent shale, which is a solid residue. Spent shale may contain char (some authors use the terms coke residue or semi-coke instead of char) carbonaceous residue formed from kerogen. Depending on the exact composition of oil shale, other useful by-products are also generated during this process. These include ammonia, sulfur, aromatic compounds, pitch, asphalt, and waxes. The efficiency of extraction processes is often evaluated by comparing their yield to the results of a Fischer Assay performed on a sample of the shale.

Pyrolysis is an endothermic process that requires an external source of energy. Most technologies use other fossil fuels such as natural gas, oil, or coal to generate heat, but various untried methods have used electricity, radio frequency, microwaves, or reactive fluids for this purpose. By-products of the retorting process such as oil shale gas and char may be burned as an additional source of energy and the heat contained in spent oil shale and oil shale ash may be reused to pre-heat the raw oil shale.

The temperature at which perceptible decomposition of oil shale occurs depends on the time-scale of the process. In ex situ retorting processes, it starts at 300 C (570 F) and proceeds more rapidly and completely at privileged temperatures. The rate of decomposition is the highest when the temperature ranges between 480 C (900 F) and 520 C (970 F). The ratio of oil shale gas to shale oil generally increases along with retorting temperatures. For a present in situ process, which might take several months of heating, decomposition may be conducted at temperatures as low as 250 C (480 F). Temperatures below 600 C (1,110 F) are preferable, preventing the decomposition of lime marble and dolomite in the rock and thereby limiting carbon dioxide emissions and energy consumption.

Hydrogenation and thermal dissolution (reactive fluid processes) extract the oil using hydrogen donors, solvents, or a combination of these. Thermal dissolution involves the application of solvents at stuck-up temperatures and pressures, increasing oil output by cracking the dissolved organic matter. Different methods produce shale oil with different properties.

Classifications

Industry analysts have made several classifications of the methods by which hydrocarbons are extracted from oil shale.

By process doctrine: Based on the treatment of raw oil shale by heat and solvents the methods are classified as pyrolysis, hydrogenation, or thermal dissolution.

By location: A frequently used distinction considers whether processing is done above or below impose a curfew, and classifies the technologies broadly as ex situ (displaced) or in situ (in place). In ex situ processing, also known as aboveround retorting, the oil shale is mined either underground or at the surface and then transported to a processing facility. In contrast, in situ processing converts the kerogen while it is still in the form of an oil shale deposit, subsequent which it is then extracted via oil wells, where it rises in the same way as conventional crude oil.

By heating method: The heating methods used to decompose oil shale may be classified as direct or indirect. While methods that burn materials or slot in heat carriers surrounded by the retort are classified as direct, methods that conduct heat through retort walls are described as indirect. As of 2009, most of the commercial retorts in operation or under development are direct heating retorts. Another classification is based upon whether the heat is delivered by solids (hot recycled solids methods) or gases. In principle, it is less pricey to give up heat using solids, especially those already heated by the shale’s pyrolysis, as is the case when spent shale particles are used.

By retort style: Based on the materials and methods used to heat the oil shale to an appropriate temperature, its processing technologies have been classified into internal combustion, hot recycled solids, wall transference, externallyenerated hot gas, reactive fluid, and volumetric heating methods. There are many possible realizations and combinations of these methods, which are summarized in the table shown below. Some processing technologies are hard to classify due to their unique methods of heat input (e.g. ExxonMobil Electrofrac) or due to limited in rank.

Classification of processing technologies by heating method and location (according to Alan Burnham)

Heating Method

Above impose a curfew (ex situ)

Underground (in situ)

Internal combustion

Gas combustion, NTU, Kiviter, Fushun, Union A, Paraho Direct, Stuck-up Direct

Occidental Petroleum MIS, LLNL RISE, Geokinetics Horizontal, Rio Blanco

Hot recycled solids

(inert or burned shale)

Alberta Taciuk, Galoter, Lurgi-Ruhrgas, TOSCO II, Chevron STB, LLNL HRS, Shell Spher, KENTORT II

-

Transference through a wall

(various fuels)

Pumpherston, Hom Tov, Fischer Assay, Oil-Tech, EcoShale In-Capsule Process, Combustion Resources

Shell ICP (primary method), American Shale Oil CCR, IEP Geothermic Fuel Cell Process

Externally generated hot gas

PetroSIX, Union B, Paraho Indirect, Stuck-up Indirect, Syntec process (Smith process)

Chevron CRUSH, Petro Probe, MWE IGE

Reactive fluids

IGT Hytort (high-pressure H2), donor solvent processes, Chattanooga fluidized bed reactor

Shell ICP (some embodiments)

Volumetric heating

-

IIT Research Institute, Lawrence Livermore National Laboratory, and Raytheon radiofrequency processes, Global Resource microwave process, Electro-Petroleum EEOP

By raw oil shale particles’ size: The various ex situ processing technologies may be differentiated by the size of the oil shale particles that are fed into the retorts. As a rule, oil shale “lumps” varying in diameter from 10 millimeters (0.4 in) to 100 millimeters (3.9 in) are used in internal hot gas carrier technologies, while oil shale that has been crushed into particulates less than 10 millimeters (0.4 in) in diameter are used in internal hot solid carrier technologies.

By complexity of technology: In situ technologies are usually classified either as right in situ processes or modified in situ processes. Right in situ processes do not involve mining or crushing the oil shale. Modified in situ processes involve drilling and fracturing the target oil shale deposit to start voids for the improved flow of gases and fluids through the deposit, thereby increasing the volume and quality of the shale oil produced.

Ex situ technologies

Internal combustion

Internal combustion technologies burn materials (typically char and oil shale gas) surrounded by a vertical shaft retort to give heat for pyrolysis. Typically raw oil shale is fed into the top of the retort and is heated by the rising hot gases, which pass through the descending oil shale, thereby causing decomposition. Shale oil vapors and evolving gases are then went to a condensing system. Condensed shale oil is collected, while non-condensable gas is recycled and used to carry heat. In the lower part of the retort, spent oil shale is heated to about 900 C (1,650 F) to burn off the char. Recycled gas enters the bottom of the retort and cools the spent oil shale. The Union and Stuck-up multimineral processes depart from this sample. In the Union process, oil shale is fed through the bottom of the retort and a pump moves it upward. In the Stuck-up multimineral process, oil shale is processed in a horizontal segmented doughnut-shaped traveling-grille retort.

These processes are thermally well-organized, since much of the carbon surrounded by the shale is burnt, and can achieve 80-90% of Fischer assay yield. Two well-established shale oil industries use internal combustion technologies: Kiviter process facilities have been operated continuously in Estonia since the 1920s, and China’s Fushun Mining Group, a world leader in shale oil production, operates Fushun process facilities. Their product streams, but, are diluted by combustion exhaust.

Hot recycled solids

Hot recycled solids technologies give up heat to the shale via solid particlesypically oil shale ash. These technologies usually use rotating kiln retorts, fed by fine oil shale particles generally having a diameter of less than 10 millimeters (0.4 in); some technologies use particles even less vital than 2.5 millimeters (0.10 in). The particles are heated in a separate chamber or vessel, advantageously preventing the dilution of oil shale gas with combustion exhaust.

In the Galoter process, the spent oil shale is burnt in a separate furnace and the resulting hot ash is mixed with oil shale particles to cause decomposition. This process and its modified version, Enefit, have been used in Estonia’s Narva Oil Plant for several decades. The TOSCO II process uses hot shale ash and terracotta balls heated by contact with the ash. The distinguishing feature of the Alberta Taciuk process (ATP) is that the entire process occurs in a single rotating multihamber horizontal vessel. An ATP plant extracted 1.5 million barrels (238.4809410^3 m3) of shale oil between 2000 and 2005 at the Stuart Oil Shale Plant, but is now being dismantled.

Alberta Taciuk Processor retort

Transference through a wall

These technologies transfer heat to the oil shale by conducting it through the retort wall. The shale feed usually consists of fine particles. Their benefit lies in the fact that retort vapors are not combined with combustion exhaust. The Combustion Resources process uses a hydrogenired rotating kiln, where hot gas is circulated through an outer annulus. The Oil-Tech staged electrically heated retort consists of individual inter-connected heating chambers, stacked atop each other. Its principal benefit lies in its modular design, which enhances its portability and adaptability. The Red Leaf Resources EcoShale In-Capsule Process combines surface mining with a lower-temperature heating method similar to in situ processes by operating surrounded by an mud impoundment structure. Surrounded by the impoundment, a hot gas circulated by analogous pipes heats the oil shale rubble. As the impoundment could be constructed in the empty interval made by mining, it allows rapid reclamation of the topography.

Externally generated hot gas

In general, externally generated hot gas technologies are similar to internal combustion technologies in that they also process oil shale lumps in vertical shaft kilns. Significantly, though, the heat in these technologies is delivered by gases heated outside the retort vessel, and therefore the retort vapors are not diluted with combustion exhaust. The Petrosix process, used at the world’s largest operational surface oil shale pyrolysis retort in So Mateus do Sul, Paran, Brazil, employs this technology.

Reactive fluids

Reactive fluid technologies are apposite for processing oil shales with a low hydrogen content. In these technologies, hydrogen gas (H2) or hydrogen donors (chemicals that donate hydrogen during compound reactions) answer with coke precursors (compound structures in the oil shale that are prone to form char during retorting but have not yet done so). The reaction roughly doubles the yield of oil, depending on the characteristics of oil shale and process technology.

Reactive fluids technologies include the IGT Hytort (high-pressure H2) process, donor solvent processes, and the Chattanooga fluidized bed reactor. In the IGT Hytort oil shale is processed in a high-pressure hydrogen environment. The Chattanooga process uses a fluidized bed reactor and an linked hydrogen-fired heater for oil shale thermal cracking and hydrogenation.

In situ technologies

In situ technologies heat oil shale underground by injecting hot fluids into the rock formation, or by using linear or planar heating sources followed by thermal transference and convection to distribute heat through the target area. Shale oil is then recovered through vertical wells drilled into the formation. These technologies are potentially able to extract more shale oil from a given area of land than conventional ex situ processing technologies, as the wells can reach greater depths than surface mines. They present an opportunity to recover shale oil from low-grade deposits that traditional mining techniques could not extract.

During World War II a modified in situ extraction process was implemented without significant success in Germany. One of the original thriving in situ processes was the underground gasification by electrical energy (Ljungstrm method) process exploited between 1940 and 1966 for shale oil extraction at Kvarntorp in Sweden. Prior to the 1980s, many variations of the in situ process were explored in the United States. The first modified in situ oil shale experiment in the United States was conducted by Occidental Petroleum in 1972 at Logan Wash, Colorado. The newest technologies explore a variety of heat sources and heat manner of speaking systems.

Wall transference

Shell’s freeze wall for in situ shale oil production was designed to separate the process from its surroundings

Wall transference in situ technologies use heating elements or heating pipes positioned surrounded by the oil shale formation. The Shell in situ conversion process (Shell ICP) uses electrical heating elements for heating the oil shale layer to between 650 F (340 C) and 700 F (370 C) over a period of approximately four years. The processing area is isolated from surrounding groundwater by a freeze wall consisting of wells filled with a circulating super-chilled fluid. Disadvantages of this process are large electrical power consumption, extensive water use, and the risk of groundwater pollution. The process, under development since the early 1980s, was tested at the Piceance Basin Mahogany Research Project. 1,700 barrels (270 m3) of oil were extracted in 2004 at a 30-by-40-foot (9.1 by 12 m) testing area.

American Shale Oil CCR Process

In the American Shale Oil CCR Process, superheated steam or another heat transfer standard is circulated through a series of pipes positioned below the oil shale layer to be extracted. The system combines horizontal wells, through which steam is passed, and vertical wells, which provide both vertical heat transfer through refluxing of converted shale oil and a means to collect the produced hydrocarbons. Heat is supplied by combustion of natural gas or propane in the initial period and by oil shale gas at a later stage.

The Independent Energy Partners’ Geothermic Fuels Cells Process (IEP GFC) extracts shale oil by exploiting a high-temperature stack of fuel cells. The cells, positioned in the oil shale formation, are fueled by natural gas during a warm-up period and afterward by oil shale gas generated by its own waste heat.

Externally generated hot gas

Chevron CRUSH process

Externally generated hot gas in situ technologies use hot gases that are heated above-impose a curfew and then injected into the oil shale formation. The Chevron CRUSH process, urban in partnership with Los Alamos National Laboratory, injects heated carbon dioxide into the formation via drilled wells and heats the formation through a series of horizontal breaks in which the gas circulates. Petro Probe has proposed a process which involves injecting super-heated air into the oil shale formation. Mountain West Energy’s In Situ Vapor Extraction process uses similar doctrine of booster of high-temperature gas.

ExxonMobil Electrofrac

Main article: ExxonMobil Electrofrac

ExxonMobil’s in situ technology uses electrical heating with elements of both wall transference and volumetric heating methods. It injects an electrically conductive material such as calcined petroleum coke into the hydraulic breaks made in the oil shale formation which then forms a heating element. Heating wells are positioned in a analogous row with a second horizontal well intersecting them at their toe. This allows opposing electrical charges to be applied at either end.

Volumetric heating

Artist’s rendition of a radio wave-based extraction facility

The concept of oil shale volumetric heating by radio waves (radio frequency processing) was urban at the Illinois Institute of Technology during the late 1970s. This technology was further urban by Lawrence Livermore National Laboratory. The oil shale would be heated by vertical electrode arrays. Deeper volumes could be processed at slower heating rates by installations spaced at tens of meters. The concept presumes a radio frequency at which the skin depth is many tens of meters, thereby overcoming the thermal diffusion times needed for conductive heating. While the Laboratory has not conducted a rigorous evaluation of the concept, private investigations may have been undertaken. Its drawbacks include intensive electrical demand and the possibility that groundwater or char would absorb undue amounts of the energy.

Radio frequency processing in conjunction with critical fluids is being urban by Raytheon together with CF Technologies and tested by Schlumberger, while Global Resource Corporation is testing microwave heating. Electro-Petroleum proposes electrically enhanced oil recovery by the passage of direct current between cathodes in producing wells and anodes located either at the surface or at depth in other wells. The passage of the current through the oil shale formation results in resistive Joule heating. Microwave heating technologies are based on the same doctrine as radio wave heating, although it is believed that radio wave heating is an improvement over microwave heating because its energy can penetrate farther into the oil shale formation.

Economics

NYMEX light-sweet crude oil prices 19962009 (not adjusted for inflation)

Main article: Oil shale economics

The dominant question for shale oil production is under what conditions shale oil is economically viable. The various attempts to develop oil shale deposits have succeeded only when the shale-oil production cost in a given region is lower than the price of petroleum or its other substitutes. According to a survey conducted by the RAND Corporation, the cost of producing a barrel of shale oil at a hypothetical surface retorting complex in the United States (comprising a mine, retorting plant, upgrading plant, supporting utilities, and spent shale reclamation), would range between US95 (0600/m3), adjusted to 2005 values). Assuming a gradual increase in output after the start of commercial production, the analysis projects a gradual reduction in processing costs to 40 per barrel (0250/m3) after achieving the milestone of 1 billion barrels (16010^6 m3). Royal Dutch Shell has announced that its Shell ICP technology would realize a profit when crude oil prices are privileged than  per barrel (0/m3), while some technologies at full-scale production assert profitability at oil prices even lower than  per barrel (0/m3).

To increase the efficiency of oil shale retorting and by this the viability of the shale oil production, researchers have proposed and tested several co-pyrolysis processes, in which other materials such as biomass, peat, waste bitumen, or rubber and plastic wastes are retorted along with the oil shale. Some modified technologies propose combining a fluidized bed retort with a circulated fluidized bed furnace for burning the by-products of pyrolysis (char and oil shale gas) and thereby improving oil yield, increasing throughput, and decreasing retorting time.

A critical measure of the viability of oil shale as an energy source lies in the ratio of the energy produced by the shale to the energy used in its mining and processing, a ratio known as “Energy Returned on Energy Invested” (EROEI). A 1984 study estimated the EROEI of the various known oil shale deposits as varying between 0.713.3; some companies and newer technologies assert an EROEI between 3 and 10. To increase the EROEI, several combined technologies were proposed. These include the usage of process waste heat, e.g. gasification or combustion of the residual carbon (char), and the usage of waste heat from other industrial processes, such as coal gasification and nuclear power generation. The water needed in some extraction processes offers an additional economic consideration: this may pose a problem in areas with water scarcity.

Environmental considerations

Main article: Environmental impact of the oil shale industry

Objections to its the makings environmental impact have stalled governmental support for extraction of shale oil in some countries, e.g. Australia. Shale oil extraction may involve a digit of different environmental impacts that vary with process technologies. Depending on the geological conditions and mining techniques, mining impacts may include acid drainage induced by the sudden rapid exposure and subsequent oxidation of formerly buried materials, the introduction of metals into surface water and groundwater, increased erosion, sulfur gas emissions, and air pollution caused by the production of particulates during processing, transport, and support activities. Surface mining for ex situ processing, as with in situ processing, requires extensive land use and ex situ thermal processing generates wastes that require disposal. Mining, processing, spent shale disposal, and waste treatment require land to be withdrawn from traditional uses and should therefore avoid areas of high population density. Depending on the processing technology, the waste material may contain pollutants including sulfates, gray metals, and polycyclic aromatic hydrocarbons, some of which are toxic and carcinogenic. Untried in situ conversion processes may reduce some of these impacts, but may instead cause other problems, such as groundwater pollution.

The production and usage of oil shale usually generates more greenhouse gas emissions, including carbon dioxide, than conventional fossil fuels. Depending on the technology and the oil shale composition, shale oil extraction may start also sulfur dioxide, hydrogen sulfide, carbonyl sulfide, and nitrogen oxides emissions. Developing carbon capture and storage technologies may reduce the processes’ carbon footprint.

Concerns have been prominently raised over the oil shale industry’s use of water, particularly in arid regions where water consumption is a sensitive issue. In some cases, oil shale mining requires the lowering of groundwater levels below the amount of the oil shale strata, which may affect the surrounding arable land and forest. Above-impose a curfew retorting typically consumes between one and five barrels of water per barrel of produced shale oil, depending on technology. Water is usually used for spent shale cooling and oil shale ash disposal. In situ processing, according to one estimate, uses about one-tenth as much water.

A 2007 programmatic environmental impact statement issued by the United States Bureau of Land Management stated that surface mining and retort operations produce 2 to 10 US gallons (7.6 to 38 l; 1.7 to 8.3 imp gal) of waste water per 1 small ton (0.91 t) of processed oil shale.

See also

Oil shale geology

Oil shale reserves

References

^ a b c d e Louw, S.J.; Addison, J. (1985). Seaton, A.. ed (PDF). Studies of the Scottish oil shale industry. Vol.1 History of the industry, working conditions, and mineralogy of Scottish and Green River formation shales. Final crash on US Sphere of Energy. Institute of Occupational Medicine. pp. 35; 38; 5657. DE-ACO2 82ER60036. http://www.iom-world.org/pubs/IOM_TM8502.pdf. Retrieved 2009-06-05. 

^ a b (PDF) Oil Shale. Colorado School of Mines. 2008. http://emfi.mines.edu/emfi2008/OilShale2008.pdf?CMSPAGE=outreach/cont_ed/emfi/emfi2008/OilShale2008.pdf. Retrieved 2008-12-24. 

^ Forbes, R.J. (1970). A Small History of the Art of Distillation from the Beginnings Up to the Death of Cellier Blumenthal. Brill Publishers. pp. 4142. ISBN 9789004006171. http://books.google.com/books?id=u_tui-7XXF0C&pg=PA41. Retrieved 2009-06-02. 

^ Miserable, Richard (2007-04-20) (PDF). Oil & Gas Shales, Definitions & Distribution In Time & Interval. In The History of On-Shore Hydrocarbon Use in the UK. Geological The upper classes of London. p. 1. http://www.geolsoc.org.uk/webdav/site/GSL/shared/pdfs/specialist and regional groups/hogg_weymouth.pdf. Retrieved 2007-07-28. 

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^ Shurtleff, Kevin; Doyle, Dave (March 2008). “Single well, single gas period practice is key to unique method of extracting oil vapors from oil shale” (PDF). World Oil Magazine (Gulf Publishing Company). http://www.rmotc.doe.gov/Pdfs/WO.MWE.March08.pdf. Retrieved 2009-09-27. 

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^ a b Symington, William A.; Olgaard, David L.; Otten, Glenn A.; Phillips, Tom C.; Thomas,Michele M.; Yeakel, Jesse D. (2008-04-20). “ExxonMobil’s Electrofrac Process for In Situ Oil Shale Conversion” (PDF). AAAPG Annual Convention. San Antonio: American Association of Petroleum Geologists. http://www.nevtahoilsands.com/pdf/Oil-Shale-and-Tar-Sands-Company-Profiles.pdf. Retrieved 2009-04-12. 

^ a b Burnham, Alan K. (2003-08-20) (PDF). Slow Radio-Frequency Processing of Large Oil Shale Volumes to Produce Petroleum-like Shale Oil. Lawrence Livermore National Laboratory. UCRL-ID-155045. https://e-reports-ext.llnl.gov/pdf/243505.pdf. Retrieved 2007-06-28. 

^ Carlson, R. D.; Blase, E. F.; McLendon, T. R. (1981-04-22). “Development of the IIT Research Institute RF heating process for in situ oil shale/tar sand fuel extractionn overview”. Oil Shale Symposium Proceedings. 14th Oil Shale Symposium (honest, Colorado: Colorado School of Mines): 138145. CONF-810456. 

^ (PDF) Radio Frequency/Critical Fluid Oil Extraction Technology. Raytheon. http://www.raytheon.com/businesses/rids/products/rtnwcm/groups/public/documents/content/rtn_bus_ids_prod_rfcf_pdf.pdf. Retrieved 2008-08-20. 

^ Moon, Ted (2008-02-01). “Oil-shale extraction technology has a new owner”. The Journal of Petroleum Technology (The upper classes of Petroleum Engineers). http://www.spe.org/jpt/2008/02/oil-shale-extraction-technology-has-a-new-owner/. Retrieved 2008-08-20. 

^ Global Resource Corp. (2007-03-09). “Global Resource Reports Progress on Oil Shale Conversion Process”. Press release. http://www.downstreamtoday.com/news/article.aspx?a_id=1943. Retrieved 2008-05-31. 

^ Daniel, David Edwin; Lowe, Donald F.; Oubre, Carroll L.; Ward, Calvin Herbert (1999). Soil vapor extraction using radio frequency heating: resource manual and technology demonstration. CRC Press. p. 1. ISBN 9781566704649. http://books.google.com/books?hl=en&lr=&id=vd8EIXX-OOQC&oi=fnd&pg=PA1. Retrieved 2009-09-26. 

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^ Tiikma, Laine; Johannes, Ille; Pryadka, Natalja (2002). “Co-pyrolysis of waste plastics with oil shale”. Proceedings. Symposium on Oil Shale 2002, Tallinn, Estonia: 76. 

^ Tiikma, Laine; Johannes, Ille; Luik, Hans (March 2006). “Fixation of chlorine evolved in pyrolysis of PVC waste by Estonian oil shales”. Journal of Analytical and Applied Pyrolysis 75 (2): 205210. doi:10.1016/j.jaap.2005.06.001. 

^ Veski, R.; Palu, V.; Kruusement, K. (2006). “Co-liquefaction of kukersite oil shale and pine wood in supercritical water” (PDF). Oil Shale. A Scientific-Technical Journal (Estonian Academy Publishers) 23 (3): 236248. ISSN 0208-189X. http://www.kirj.ee/public/oilshale/oil-2006-3-4.pdf. Retrieved 2007-06-16. 

^ Aboulkas, A.; El Harfi, K.; El Bouadili, A.; Benchanaa, M.; Mokhlisse, A.; Outzourit, A. (2007). “Kinetics of co-pyrolysis of Tarfaya (Morocco) oil shale with high-density polyethylene” (PDF). Oil Shale. A Scientific-Technical Journal (Estonian Academy Publishers) 24 (1): 1533. ISSN 0208-189X. http://www.kirj.ee/public/oilshale/oil-2006-3-4.pdf. Retrieved 2007-06-16. 

^ Ozdemir, M.; A. Akar, A. Aydoan, E. Kalafatoglu; E. Ekinci (2006-11-07). “Copyrolysis of Goynuk oil shale and thermoplastics” (PDF). International Oil Shale Conference. Amman, Jordan: Jordanian Natural Resources Authority. http://www.sdnp.jo/International_Oil_Conference/rtos-A114.pdf. Retrieved 2007-06-29. 

^ Siirde, Andres; Martins, Ants (2009-06-07). “Oil shale fluidized bed retorting technology with CFB furnace for buring the by-products” (PDF). International Oil Shale Symphosium. Tallinn, Estonia: Tallinn University of Technology. http://www.oilshalesymposium.com/fileadmin/user_upload/documents/SIIRDE.pdf. Retrieved 2009-05-22. 

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^ (PDF) Letter to the Senate Committee on Energy and Natural Resources. Oil Shale Alliance Inc.. 2006. http://www.petroprobe.com/articles/submissiontosenate.pdf. Retrieved 2009-02-12. 

^ Parkinson, Gerald (2007). “Oil Shale: The U.S. Takes Another Look at a Huge Domestic Resource”. Compound Engineering Progress (American Institute of Compound Engineers) 102 (7). http://findarticles.com/p/articles/mi_qa5350/is_200607/ai_n21394714. Retrieved 2008-08-21. 

^ Clark, Judy (2008-08-11). “Nuclear heat advances oil shale refining in situ”. Oil & Gas Journal (requires subscription) (PennWell Corporation) 106 (30): 2224. http://www.ogj.com/index/article-show/336580/s-articles/s-oil-gas-journal/s-volume-106/s-issue-30/s-general-interest/s-nuclear-heat-advances-oil-shale-refining-in-situ.html. Retrieved 2009-05-23. 

^ “Bligh bans Whitsundays shale oil mining”. ABC News (The Australian Broadcasting Corporation). 2008-08-24. http://www.abc.net.au/news/tales/2008/08/24/2344733.htm?section=justin. Retrieved 2009-09-19. 

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^ Tuvikene, Arvo; Sirpa Huuskonen, Kari Koponen, Ossi Ritola, lle Mauer, Pirjo Lindstrm-Sepp (1999). “Oil Shale Processing as a Source of Aquatic Pollution: Monitoring of the Biologic Effects in Confined and Feral Freshwater Fish” (PDF). Environmental Health Perspectives (National Institute of Environmental Health Sciences) 107 (9): 745752. doi:10.2307/3434660. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1566439/pdf/envhper00514-0093.pdf. Retrieved 2007-06-16. 

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External links

Oil Shale. A Scientific-Technical Journal (ISSN 0208-189X)

Oil Shale and Tar Sands Programmatic Environmental Impact Statement (EIS) In rank Center. Concerning the makings leases of Federal oil sands lands in Utah and oil shale lands in Utah, Wyoming, and Colorado.

“Shale Oil Now” Campaign. Links and articles on America’s shale oil compiled by Jon Moseley

The United States National Oil Shale Association (NOSA)

Shale Oil In rank Center. A Colorado non-profit corporation disseminating in rank focusing on the history of the extraction of oil shale and oil sands.

v  d  e

Petroleum industry

Exploration

Petroleum engineering (Reservoir simulation  Seismic to simulation)  Petroleum geology  Geophysics  Seismic (Seismic inversion)  Petrophysics  Core sampling

Drilling

Drilling engineering  Underbalanced drilling  Directional drilling  (Measurement while drilling  Geosteering)  Drilling fluid  Drill Stem Test

Development

Completion (Squeeze job)  Well logging  Pipeline transport  Tracers

Production

Artificial lift (Pumpjack  ESP  Gas lift)  EOR (Steam booster  Gas reinjection)  Water booster  Well intervention  Upstream  Midstream  Downstream  Refining

Technical challenges

Differential sticking  Drilling fluid invasion  Blowouts  Lost circulation

Oil and gas agreements

Production sharing agreements  Concessions  Service Agreements  Risk agreements

Data by country

Total energy (consumption per capita  intensity)  Natural gas (consumption  production  reserves  imports  exports)  Petroleum (consumption  production  reserves  imports  exports)

Supermajors

ExxonMobil  Royal Dutch Shell  BP  Chevron Corporation  ConocoPhillips  Total S.A. (See also: National oil companies)

Major oil provinces

North Sea  East Texas  Persian Gulf  Athabasca oil sands  Gulf of Mexico  Venezuela  Niger Delta  Russia

Related articles

OPEC  History of petroleum  Peak oil  Oil price increases since 2003  Price of petroleum  The upper classes of Petroleum Engineers

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When it comes to the matter of weight loss, peoples always rather tough methods. Peoples don’t want to learn “Diet Basics”; they don’t want to follow healthy food problem; they despise to exercise. In fact many peoples are still looking for overnight results! And that is the reason for 100′s of diet pills and weight loss supplements on the market.

For decades, the diet industry has been an all natural appetite suppressant with no side effects other than the intended weight loss! But diet pills became very well loved surrounded by shot period of time. While many of these worked, they often came with a gray list of side effects. After an initial flurry of excitement and sales, most were knocked off due to dangers linked with their use, and some were even banned.

The latest arrival on the Weight Loss circuit is an unprepossessing African succulent known as Hoodia Gordonii. Hoodia was vacant for sale in the U.S. in early 2004; it has been steadily making a name for itself as a powerful appetite suppressant that can help you lose weight. Its popularity was significantly boosted by reports on 60 Minutes, ABC News and BBC News.

As part of the BBC crash, BBC’s correspondent Tom Mangold, really traveled to Africa to sample the hoodia in situation. He and his cameraman, who also tested the plant, both reported feeling pleasantly full for nearly 48 hours after eating a cut of hoodia gordonii.

Present research has isolated an ‘active ingredient’ known as P57 in hoodia. Though the research is still scanty, it works by fooling the hypothalamus into thinking that there is more sugar in the blood than there really is.

Does Hoodia really work?

According to Phytopharm, the company that holds the patent on the process to extract P57 from hoodia, human subjects compelling hoodia reduced their caloric intake by as much as 2000 calories a day. So figures are impressive. And so far the overall result is fine.

Is Hoodia Safe?

There again, the research is far too scant to make a reasonable choice on it. There are no known side effects – but it also hasn’t been used outside one small tribe in Africa until the past two years. It’s possible that there are side effects to long-term use.

Since Hoodia is endorsed by major News resources like ABC News and BBC News, scammers found it’s extremely simple to sell junks in the name of Hoodia. Most of the hoodia supplements available on the market do not contain hoodia gordonii at all! Some contains perilous chemicals.

Obviously it’s hard to tell which Company sells real products and who don’t. But here are some tips to protect you from Hoodia Scammers.

1) Consult Physician: Consult your doctor before compelling hoodia diet supplements (Or any other supplements). This is particularly vital for those who’ve been diagnosed with diabetes or pre-diabetes.

2) Don’t be fooled with cheap gimmick! Hoodia is very pricey to plant. So it’s virtually impossible to sell for peanut price. Be very alert if you are purchasing from “Online Auction” sites.

3) Check Certificate: Only few companies have the right to sell hoodia products. Although certificate can be faked, it’s vital to check it out.

4) Contact Company: If you are plotting to hold hoodia from a well established website contact their consumer care with some questions about hoodia. Your seller should be able answer your hoodia question if they are selling real products.

5) Money back guarantee: Real Hoodia Company’s should offer at least 30 days of money back guarantee.

6) The Exercise factor: Real Company’s must say that, basic exercise is vital while compelling hoodia. Don’t be fooled with ads like “Take hoodia; eat whatever you want and lose 50 pounds surrounded by 30 days!”

7) Question your contacts: For your satisfaction, enquire with your friends, colleagues and contacts (if they are overweight taken hoodia.)

My final words are; hoodia isn’t a key pill. It should not necessarily work for everyone. The effects of hoodia will vary from person to person depends on various factors. Like any other diet pills, hoodia should be used for small term treatment of obesity.

Again basic exercise and healthy food problem is must. Some peoples like to eat just about anything even if they aren’t hungry! If you are an emotional eater, don’t use hoodia; it simply won’t work. And diet pills are not permanent weight loss solution.

Many dieters have long searched for a key diet pill that will spell and end to hunger for hours or even days on end. Without eating your body would be forced to burn stored stout for energy simply because of the lack of calorie intake.

That may sound too excellent to be right, but surprisingly that key pill may well be a reality in the form of cactus extract Hoodia Gordonii.

The media pounced on hoodia when it was first released as a weight loss product, with hoodia compelling over newspapers and television screens across the world. This media attention is probably the reason why you have heard of hoodia.

BBC news reporters journeyed to the source of hoodia gordonii in South Africa, trying the cactus extract themselves and remarking on its extraordinary weight loss powers.

Is hoodia really a key weight loss pill?

There is no doubt that it is an effective appetite suppressant, judging by countless user reviews and testimonials. But being a powerful weight loss drug, is hoodia safe?

Skepticism is ordinary in the weight loss community so it is simple to see why Hoodia safety is called into question. Holding the perilous diet pill Ephedra as an example, with extreme side effects such as high blood pressure and even cardiac arrest, it is right to question yourself if hoodia really is safe before buying it.

Not all diet pills are made equally, with drugs like Ephedra acting as a central nervous system stimulant, and other drugs like alli acting as a stout file. Both of these types of diet pills are renowned for negative side effects, but appetite suppressants seem to be possibly the safest type to try.

In fact at the moment well loved opinion seems to be that hoodia really is safe.

If we reckon back to the origins of Hoodia and its use by the Sans Bushmen of the Kalahari desert, it is clear that this tribe was able to use the appetite suppressing power of hoodia with no known negative side effects.

In more recent times, pharmaceutical company phytopharm studied the active ingredient in hoodia gordonii, p57, and its effect on obese participants appetite. They found that it was a significant weight loss aid and concluded there were no reported terrible side effects.

Buying pure hoodia is a way to delight in the safety and effectiveness of Hoodia without risking side effects from additives and fillers.

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Get Top News Headlines and India News on Amar Ujala

Get Top News Headlines and India News on Amar Ujala

Amar Ujala is a leading local newspaper newspaper active in many states all over India. Amar Ujala is one of the top three dailies of India. Amar Ujala publishes an 18 pages daily issue with more colour pages. It is a rich source of current News Headlines and national news. Along with the newspaper it also publishes three magazines which are: Career and Education, Rupayan and Sunday Anand. Amar Ujala is a completely unbiased newspaper.

When started it had its approach only in Uttar Pradesh only but with its excellent services to its readers it has also ventured into other states of India. Now it is being issued in very nearly all major cities of India as Chandigarh news, Punjab news, Haryana news, Himachal Pradesh news, Jammu Kashmir news, UP News, Uttarakhand news, Lucknow news, Gurgaon news and Delhi news.

Along with India news it provides its readers the latest ups and downs in Share market and condition of market, so that they will be able to sterilize their business according to the changing business strategies. It provides its readers seeking Business news with the latest news on Stock market, Banking Insurance and Corporate news. It has very nearly all type of matter for everybody with different needs. It provides top news headlines about everything going on in nation as well as provides international news.

Amar Ujala has also launched its website to facilitate its users with the News online and current news. The newspaper is known for its grounded journalism and breaking news reports which are always up to the mark. Amar Ujala have 6.5 million readers in Uttar Pradesh lonely and are still increasing with pace of time.  Over the years Amar Ujala has earned blindfold trust from its readers by virtue of its Authenticity, honesty and trust.  Always aware that the readers of Amar Ujala are from all over the nation and have different interests, viewpoints and cultural backgrounds, We at Amar Ujala take care to produce a responsible newspaper that is impartial and balanced.

The website of Amar Ujala is an ideal place for whole community for getting up to mark India news and top news and advice from professionals. The website provides an option to readers for choosing their kind of in rank such as Sports News, Political news, Social issues, Astrology, Bollywood news, Business news, Crime news and much more. In addendum to economic, political, sports and hard news the coverage of Amar Ujala includes commentaries from opinion leaders in various fields, editorials that reflect Indian public opinion, regional features on everyday life and articles on culture and entertainment.

For getting all types of India news, astrology and top news headlines you can go through the website of Amar Ujala. www.amarujala.com .

 

Priti Bhardwaj holds Masters Degree in English. She is writing since last 5 Years. She has written many well loved articles for many magazines. Since last two years she is writing mainly for News industry. She is writing mainly for Newspaper agencies and magazines. For more in rank visit: http://www.amarujala.com/

 


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